Getting Older & Sillier

Early in the morning, when I’d like to be enjoying a final dab of sleep, the birds outside my window go mad, putting on a symphony at once melodious and chaotic, brand new and ancient. I think maybe birds invented jazz; they do seem to love to riff off of one another.

The other weekend, G/Son was coloring and he said to me that birds are kind of like reptiles, but also kind of like mammals, but not really like either one. I was telling him about the theory some scientists have that birds evolved from dinosaurs.

And this morning, while I was no longer asleep (thanks, birds!) but also not yet ready to get out of bed, I was thinking about our notion that dinosaurs walked around roaring all the time. But what if they sang? What if singing is one of the traits that birds have carried forward from at least some of their dinosaur ancestors? And how would it sound to hear a herd of brontosaurus sing? Or the lone chirp-chirp-chirp of a triceratops? (Of course, brighter minds than mine have already gone here.)

And then I had to get up and go to work and produce legal prose for pay.

But I do still wonder . . . .

Beauty, the Brave, the Exemplary

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We’ve had, against all expectations, a cool, wet Spring here in Columbia’s District.

The roses are going mad, imagining that they live in England (esp. the David Austen ones) rather than in a place that’s honestly too hot, too made of clay, and too buggy for roses. It’s maybe the best year for roses that I’ve ever seen (including those roses with my favorite name: Cuisse de Nymphe, or, in English, the Inner Thigh of an Excited Nymph) and I’m almost sorry that I don’t grown any roses.

It’s also an amazing May for peonies. If you live in a part of the world where they don’t grow peonies, then, I am, truly very, very sorry for you, because peonies are kind of the uber-flower, the archetypical flower, the apogee of flowers, even more than roses are, because peonies are more ruffled, and have no thorns and are, well, peonies. And, also because Mary Oliver wrote, I aver, a better poem about peonies than has ever been written about roses, although, feel free to prove me wrong in comments.

********************

Peonies

This morning the green fists of the peonies are getting ready
to break my heart
as the sun rises,
as the sun strokes them with his old, buttery fingers

and they open–
pools of lace,
white and pink–
and all day the black ants climb over them,

boring their deep and mysterious holes
into the curls,
craving the sweet sap,
taking it away

to their dark, underground cities–
and all day
under the shifty wind,
as in a dance to the great wedding,

the flowers bend their bright bodies,
and tip their fragrance to the air,
and rise,
their red stems holding

all that dampness and recklessness
gladly and lightly,
and there it is again–
beauty the brave, the exemplary,

blazing open.
Do you love this world?
Do you cherish your humble and silky life?
Do you adore the green grass, with its terror beneath?

Do you also hurry, half-dressed and barefoot, into the garden,
and softly,
and exclaiming of their dearness,
fill your arms with the white and pink flowers,

with their honeyed heaviness, their lush trembling,
their eagerness
to be wild and perfect for a moment, before they are
nothing, forever?

*********

Go on, you. You go on and be wild and perfect for a moment before you are nothing, forever. Do it, do it, do it, do it, do it, do it, now.

Picture found here.

Sunday Ballet Blogging

In the Garden

Black Iris

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Photo by the blogger; if you copy, please link back.

Mansplaining, Pagan Style

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For today’s blog post, we bring you Mansplaining, Pagan-style, with an extra-crunchy dab of “some of my best friends” white, male privilege for good measure.

Turns out that Pagan mansplaining is quite a bit like other kinds of mansplaining. It consists of a “helpful” suggestion (aka known as a threat) that women must adopt the man’s viewpoint (in this case, described as “evolve”) or “perish.”

Who knows what motivated this bout of Pagan mansplaining? The “controversy” being discussed is several years old. But there’s no need to let that come between a privileged white man and his patriarchy-given right to mansplain.

To pre-answer questions:

First, if I have to define what kind of Pagan I am, I say “Witch,” and if I have to say what kind of Witch, I say “mostly Dianic,” but what I really like is something that I once read attributed to Cora Anderson: “I believe in trees and being sensible.”

Second, I wrote about this topic when it was current and indicated that I can see more than one side to this (to coin a phrase) circle. As I said there, I honor Z Budapest as an elder and am grateful for her books and many of her teachings. She, like, well, a whole, whole, whole lot of other people, has also said some things with which I disagree and used some terms that offend me. As she’s gotten older and has come under more strident attacks, she appears to have gotten worse about it.

Which has exactly nothing to do with the right of Pagan groups everywhere to define themselves as they like, to practice as makes them most comfortable, and to evolve their practices as they — not some outsider wading in with his penis and his privilege — see fit.

Mansplaining. It seems to cross religious lines.

Picture found here.

A Place Without a Witch — Chapter Fifteen

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While Peschecat soaked up every last bit of warmth from the laptop (it HAD been a cool Spring, but Gemmy refused to turn the heat back on; instead, she bundled up in sweatshirts and socks, but Peschecat simply didn’t look like the kind of cat who’d take kindly to being “dressed”), Gemmy wandered into the kitchen and began to pack tomorrow’s lunch. As she cut the brown spots off an apple and chopped it up to go into her yogurt, she remembered wandering into the Bonsai House at the arboretum.

Now Gemmy, my dears, had spent her life studying, working with, and getting to know many kinds of trees: trees in forests, trees suitable for suburban yards, trees that could thrive in the heat and pollution of an urban neighborhood. And she knew, of course, the basics of bonsai: how the art form had started in China and moved to Japan many hundreds of years ago, how bonsai masters pruned leaves, branches, and roots to keep the trees small even as they encouraged the trees to look aged and wind-blown, how small ceramic pots and special clay-containing soils were used to control the size of the trees. She’d just never been that interested; the whole thing had, as Gemmy’d once sniffed to a friend of hers who ran a nursery, “more than a faint whiff of foot-binding about it.”

And, yet, when a sudden thundershower drove her from the outdoor herb garden into the small building that housed the arboretum’s bonsai collection, Gemmy found herself entranced by the tiny trees. The building was silent; Gemmy had the place almost entirely to herself. She moved slowly into a meditative state, often stopping for more than a few minutes in front of one tree or another, or, in a few cases, groupings of trees that had been growing together for decades. She walked to a small bench and sat down, content to simply breathe, be, and open herself to the trees.

And, then, she saw it.

Even in its miniature state, Gemmy recognized it as a white pine. “You’re old,” she thought to the tree, which, off dreaming of something else, was slow to notice Gemmy.

“And you’re young. Yet you’ve come here because you’ve lived through a blast, just as I did,” the tree emanated to her.

Gemmy sat with that for a long minute. She got up slowly and walked over to stand next to the tree, well, as next-to as the rope barrier allowed.

A small plaque explained that the tree had been cultivated since 1625, originally just outside the city of Hiroshima. The atomic bomb blast at the end of Word War II somehow spared the ancient pine and, in the 1970s, the family that had tended the tree for centuries donated it to the arboretum. Somehow, all that Gemmy could think of was The Effect of Gamma Rays on Man-in-the-Moon Marigolds, a play she’d seen years ago on a trip to Philadelphia.

“The radiation didn’t change you,” she thought to the tree. “Being made bonsai changed you, but the radiation didn’t.”

“And yet,” the tree emanated, “none of us come through a blast unchanged. As you have reason to know.”

Gemmy wanted to cry. She’d been working so hard to hold it all together, to make a new start, to not dwell on the past. It had always been like this, ever since she could remember, ever since her mom had passed away and it’d been just her and Dad. She was fine until someone showed her a little bit of sympathy and then everything came flooding to the surface.

Gemmy sat back down, swallowed her tears, and thought, “Yeah, well, not exactly a nuclear bomb, in my case, but, yeah, I know what you mean. It felt like a slow-motion blast: first my job, then our home, then my marriage, then moving away from my coven, then moving to this new place in winter, this living paycheck-to-paycheck, then Deena selling “my” tree . . . . It’s been rough and I don’t spend much time thinking how rough; I just keep trying to keep trying. I haven’t had much time to think about how it’s changed me.”

“You have time now,” the tree emanated, and slipped back into its dream.

Gemmy sat a while longer, took a picture of the tree with her cell phone, and said, “I’ll come back to visit soon, if I may,” but the tree was silent. As she got up to walk back outside, something inside of her shifted; she felt as though her soul had been aired out.

Gemmy washed and dried the piece of aluminum foil that she’d been using for several days and wrapped it tightly around her peanut butter and pickle sandwich. “There,” she said to Peschecat. “I can sleep an extra five minutes in the morning — if you don’t wake me up.”

A chime sounded from inside Gemmy’s purse. Her friends knew not to text her unless it was important — texts cost money. “Who could that be, at this hour?” Gemmy wondered.

Peschecat got up from the now-cool laptop and walked soundlessly from the room.

Picture found here.

Wednesday Evening Potpourri

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* Stop whatever you are doing and go read The Indigo Vat right now. You can thank me later. I really want to have someone do this up in calligraphy so I can frame it and hang it where it will be the first thing that I see every morning:

You are not a troubled guest on this earth,
you are not an accident amidst other accidents
you were invited from another and greater night
than the one from which you have just emerged.

Now, looking through the slanting light of the morning window
toward the mountain presence of everything that can be
what urgency calls you to your one love?

~ David Whyte

* For all of the gardeners who feel themselves flowing in the river of time: enjoy.

* Byron’s somewhat south of me, but I hope to harvest my nettles this weekend. Maybe Byron will post her nettle soup recipe by then!

* Don’t buy seed from Monsanto. SCOTUS blew its decision, big time, on farmers’ ability to harvest and use seed from crops grown from Monsanto.

Farmers who buy Monsanto’s patented seeds must generally sign a contract promising not to save seeds from the resulting crop, which means they must buy new seeds every year. The seeds are valuable because they are resistant to the herbicide Roundup, itself a Monsanto product.

Cute, huh?

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* Disney screwed up big-time, too. Dear Disney, There’s no such thing as girls like that.

* Here’s an infectiously joyful song about graveyards:

“I belong to all of your mysteries,” always gets me.

A little bit more PS22 goodness. OK; one more.

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